Friday 13 March 2020

The Floribunda Story!

Hello everyone!

Do you remember Floribunda Bangle? Back in 2013 (Gulp! Was it really 7 years ago?) Preciosa Ornela gave me the opportunity to create a collection of work to showcase their striped seed beads. This was perfect timing for me because Mum had recently passed away, and having an important creative assignment that I could immerse myself in was just the thing I needed to be able to quietly process my thoughts and feelings as I came to terms with my loss. I spent several months experimenting with these beautiful beads, creating a variety of finished pieces - some wearable, some for decoration and some purely whimsical. One of the items was Floribunda Bangle.


I always knew that Flori wasn't shy. Big and bold, full of movement and fun, she was a popular girl from the moment she came to life and for several years after. She received lots of attention on social media, graced the cover of a magazine, became a calendar girl, was also selected to appear in the Playful Perfection book and even got a mention on live TV on JewelleryMaker.




Fast forward to the summer of 2019, when suddenly Preciosa Ornela asked if I could make matching earrings and a necklace so that a full Floribunda set could be used for an exhibition in Prague in 2020. I already had lots of work on at that time, but it seemed such a great privilege that of course I happily agreed. Now, I believe that 'Floribunda' is Latin for "many flowering", so I knew that to make a necklace worthy of being Floribunda Bangle's big sister would require a LOT of flowers. Of course I could have saved time and effort and made a single flower to hang on a chain, that might have looked lovely and elegant, but Flori wouldn't have approved, so I made a start.


I tried to do a rough calculation of how many flowers I would need to make, how much time I had and how many flowers I would need to make per day. However, I am not the least bit mathematically minded, and so I ended up having to make nearly double my original estimate to create a really dense cluster of flowers that encircled the neck. It took 80 flowers to fill a neckwire and to make matching earrings and each flower took approximately 1 hour to make. I beaded in the evenings, at weekends, on car journeys - every spare minute was spent working on Floribunda flowers and when I closed my eyes, all I could see were stripes!


Florence, my beautiful model, helped me a great deal. She patiently wore the part-made necklace, and at the end of each day I added a few more flowers, wondering how many I could make the next day, just how many more would I need to make and would I have enough striped beads to finish it? Beading is a wonderful satisfying pastime, but any professional beader will tell you that when the pressure is on, it can turn into something else. It was August and the UK was experiencing a heatwave, my clammy fingers kept losing a grip on the needle, the perspiration ran into my eyes, the Fireline thread cut into my fingers and made them bleed, but I had to keep going to meet the deadline. To keep me motivated, I tried to imagine a gorgeous catwalk model wearing a set of beaded jewellery that I had made.


After nearly two weeks, I was satisfied that I had made enough flowers to bunch up nicely on the neckwire and I breathed a sigh of relief. All I had to do then was make a couple more flowers for a simple pair of earrings and I was done. A few quick pictures were taken, some rough notes made and then the Floribunda necklace and earrings were carefully packaged up, ready to be sent to the Czech Republic for professional photography and to take their place in the exhibition. I crossed my fingers that everything would arrive safely.


And now, seven months later, here is the beautiful model wearing the full Floribunda set of bangle, necklace and earrings. When I look at the picture below, I can hardly believe that I am looking at my work. Despite my small frustrations during the making of the necklace and earrings, I am delighted to have been part of this, and I would like to thank Preciosa Ornela for entrusting me with this undertaking.  The pieces are currently on display at the Museum of Contemporary Glass Art Portheimka in Prague, representing beads and seed beads from the PRECIOSA Traditional Czech Beads brand as part of the Stardust - Luxury Czech Jewellery exhibition. The exhibition runs from the 9th of March 2020 to the 14th of June 2020 and is open to the public.



I hope you enjoyed learning a bit more about what goes on behind the scenes in the making of these pieces. I am already working on the next exciting project, so watch this space ...

See you next time!

Kerrie


Monday 8 October 2018

Two-Cut beads - or not to cut!

Hello everyone!

Things are still a little bit topsy-turvy in my life at the moment, so this will be another brief post, but I wanted to show you a few little pieces I made using PRECIOSA Two-Cut Beads. I have quite a lot of cut beads in my collection, ranging from Two-Cut and Three-Cut, to various sizes of Bugles, and although I love the way the light glints and reflects off the cut edge, I've been more a collector of cut beads rather than a user. I must admit that I used to shy away from any cut beads as I feared that they would have sharp edges that would sever my beading thread, undoing all the hard work in a carefully crafted piece of beadwork. However, not long ago, Preciosa Ornela asked me to work with some of their Two-Cut beads and so I put my fears to one side and gave it a go.




Instead of jumping in with both feet, I thought I would take my introduction to weaving with cut beads slowly. I decided to make a simple Kumihimo bracelet to start with, which would enable me to use thick S-Lon thread, therefore reducing the thread-slicing risk. The lovely rhythmic braiding process gave me chance to look closely at the beads, to get to know them a bit better and to start to relax. I chose red and blue Two-Cuts and mixed them with some white size 7 rocailles and white S-Lon to give a patriotic feel - the colours of both the UK and Czech Republic flag! I made the bracelet long enough to wrap twice around my wrist, and added a little button and loop closure.




Although I was happy with the results of my first piece, I still didn't quite have the confidence to use my usual Nymo or Fireline with them in basic beadweaving stitches. So next I did a bit of embroidery using Ultrasuede and heavy duty 14lb Fireline to create a Gothic style brooch. I used a mix of Two-Cuts, Drops, fire polished beads and Charlottes to circle a glass button with a skull and crossbones design and completed the look with a drooping black ribbon bow. I had absolutely no problem with the Two-Cuts and the thicker Fireline, so by now I was starting to wonder if I had spent years missing out on using cut beads in my designs because of my unnecessary fear of them.




So for my final Two-Cut piece, I went back to what I know best - 6lb Fireline and herringbone stitch! I made lots of little beaded tubes with grey AB Two-Cuts in both shiny and matte, threaded them onto sterling silver beading chain along with some cream 4mm glass pearls, and then added a sterling silver clasp to make a three row bracelet with lots of movement. This is the sort of beadwork I love to do and I made 24 of these little tubes with absolutely no trouble at all. None of the beads cut my thread while I was working with them and the bracelet has been worn repeatedly with no problems. So there - accepting the opportunity to work with PRECIOSA Two-Cut Beads not only gave me chance to work with interesting bead shapes and colours, it also cured me of my phobia of cut beads!

See you next time!

Kerrie 

Tuesday 14 August 2018

And the winners are ...

Hello everyone!

I'm going to keep this brief, as my father has recently passed away and there is a lot of work for me to do. But, I didn't want to keep you waiting any longer, so here are the winners of my International Beading Week contest in association with Preciosa Ornela.

The five first prize winners are as follows:


Carolyn Cave - Canada

Evgenya Mytsyk - Ukraine

Nadezhda Kochukova - Russia

Sally Kelly - UK

Sithara Alywn - India


There are also five small runners-up prizes which go to the following:


Eszter Molnar - Hungary

Iryna Migal - Germany

Monica Visconi - Italy

Nurshida Sweet - USA

Zuzana Ludvigova - Slovakia


And a special mention and small prize also goes to Anna for her entry, as she is only 13 years old!


Anna - Belarus


Thank you so much to everyone from around the world who joined in with IBW and entered the contest. Both myself and Preciosa agreed that it was incredibly hard to choose the winning pieces as there were so many wonderful, intricate and imaginative entries. If you have not been awarded a prize this time, please do not be disheartened, every entry I received showed hard work, patience and a love of beadwork - keep on beading!

Will the 11 winners please contact me as soon as possible with their postal address so that the prizes may be sent out.

Happy beading!

Kerrie